Enter the Mix – a nonstop techno tribute to Depeche Mode & Kraftwerk

Release year: 1999
Release version: Physical release
Label: Cascade
Type: Compilation

NOTHING NEW!!! All songs are from the TranceModeExpress series, just mixed with some Kraftwerk tracks to a nonstop mix.

Tracks of “Enter the Mix – a nonstop techno tribute to Depeche Mode & Kraftwerk”

  1. Filter Section – Happiest Girl (5:02)
  2. Audio Science– Home Computer (6:38)
  3. Blasphemous Garden – Blasphemous Rumours (4:39)
  4. Exis 01– Musik Non Stop (6:00)
  5. Ultra Vision – Just Can’t Get Enough (4:25)
  6. Audio Science– Trans Europe Express (6:48)
  7. Zerofighters – It’s No Good (Feel Love) (4:24)
  8. Martin O*– Airwave (4:45)
  9. Good Courage – A Question Of Time (5:07)
  10. Interfaith– Tour De France (5:39)

Listen to "Enter the Mix – a nonstop techno tribute to Depeche Mode & Kraftwerk" on Spotify

Cover songs related to "Enter the Mix – a nonstop techno tribute to Depeche Mode & Kraftwerk"

Picture of Michael M. Müller

Michael M. Müller

Although I already owned all regular releases, I started "seriously" collecting Depeche Mode's releases from all over the world in the late 80s. But when the internet and espacially eBay came up, I wanted to specialise my collection, because with eBay it was not a question of "how to find a rarity?" anymore, but just a question of "who pays the most?". That was the start of my collection of Depeche Mode cover versions.

I really like it when artists create a completely new mood in a cover version. For me, the best covers are very often just unknown tracks on an artist's album, while many tribute compilations are just "sound-a-likes" without own creativity.
Picture of Michael M. Müller

Michael M. Müller

Although I already owned all regular releases, I started "seriously" collecting Depeche Mode's releases from all over the world in the late 80s. But when the internet and espacially eBay came up, I wanted to specialise my collection, because with eBay it was not a question of "how to find a rarity?" anymore, but just a question of "who pays the most?". That was the start of my collection of Depeche Mode cover versions.

I really like it when artists create a completely new mood in a cover version. For me, the best covers are very often just unknown tracks on an artist's album, while many tribute compilations are just "sound-a-likes" without own creativity.