A Naked Mexican Band That Sounds Like Depeche Mode!

In the world of ‘Orgazmo’, nothing is as it seems – not even the music. In a memorable scene at the film’s premiere, a naked Mexican band provides the musical backdrop. Here, a delightful dialogue unfolds between Dave, the assistant, and Joe, aka ‘Orgazmo’, the protagonist.

Dave, apparently not exactly a music connoisseur, compares the acoustic guitar sounds of the Mexican musicians to Depeche Mode in all seriousness. As if this comparison wasn’t absurd enough, he goes on to say, “I don’t wanna sound like a queer or nothin’, but Depeche Mode is a sweet band”. This scene is a prime example of the film’s offbeat humour.

Porn parody with depth

‘Orgazmo’ is more than just a flat comedy about the porn industry. The film, directed by Trey Parker, takes viewers on a wild rollercoaster ride through the depths of Hollywood. Joe, a naive Mormon, becomes the porn star and superhero ‘Orgazmo’ against his will.

With a healthy dose of satire and a twinkle in its eye, the film exposes the absurdities of the entertainment industry. It doesn’t shy away from crude jokes and exaggerated characters.

For fans of typical 90s humour, ‘Orgazmo’ is an absolute must-see. The film offers a perfect blend of slapstick, social criticism and unforgettable moments – such as the scene with the naked Mexican band. Those who embark on this whimsical adventure will be rewarded with plenty of laughs.

Picture of Thomas Frenken

Thomas Frenken

I am the founder and main author of the international synth pop magazine Electrozombies. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.

I took over the depechemodecovers.com website in 2024 and relaunched it. As a big fan of Depeche Mode and cover versions, I dedicate myself passionately to this project.
Picture of Thomas Frenken

Thomas Frenken

I am the founder and main author of the international synth pop magazine Electrozombies. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.

I took over the depechemodecovers.com website in 2024 and relaunched it. As a big fan of Depeche Mode and cover versions, I dedicate myself passionately to this project.