Karaoke For The Masses: Why we no longer list Depeche Mode karaoke versions

Anyone who has been on depechemodecovers.com for a while knows how many different Depeche Mode cover versions have been collected over the years. Michael, the site’s former operator, has done a truly amazing job of meticulously cataloguing hundreds, if not thousands, of cover and tribute versions. But one particular category stands out – karaoke versions. And to be honest, there are just way too many of them.

Karaoke versions – a sea of repetition

It’s easy to get lost in the world of Depeche Mode covers. But when it comes to karaoke versions, things quickly become repetitive. I’ve noticed that the same classics like ‘Enjoy The Silence’, ‘Personal Jesus’ or ‘Just Can’t Get Enough’ are often recorded over and over again – and that in countless variations. Many of these versions are hardly distinguishable from one another. There are even cases in which the same version is re-released under different artist names. This can often be seen from the cover – cheaply designed artwork that nostalgically recalls the garishly colourful advertisements of the 90s.

Why I won’t be recording any more karaoke versions

As curator of the site, I have decided not to add any more karaoke versions to the catalogue in the future. There are two main reasons for this:

  1. No real added value: It seems that karaoke versions are only being created for the most popular Depeche Mode songs. There are already so many of these versions that they don’t offer any new aspect. And to be honest – how many different karaoke versions of ‘Enjoy The Silence’ does the world really need?
  2. The effort is disproportionately high: It takes an incredible amount of work to determine whether a karaoke version is actually new or whether it has simply been re-released under a different name or with a new, generic cover. The differences are often minimal, and as a collector, it feels like you’re constantly combing through the same thing.

For hardcore collectors, there is a way

Of course, this is not meant to be a devaluation for all those who collect or appreciate these karaoke versions. If you are an avid collector, you are guaranteed to find what you are looking for on platforms like Discogs. With the right search terms, you will find a wealth of karaoke compilations waiting for their owner. But personally, I don’t need the 27th version of ‘Enjoy The Silence’ as a karaoke instrumental with a cover reminiscent of a detergent commercial.

The kings of karaoke compilations

Speaking of karaoke versions: if you really want to stock up on Depeche Mode karaoke, there’s no getting around New Life Generation. This group, which is notorious for covering and remixing what feels like every Depeche Mode song in countless ways, of course also has a karaoke compilation. And what a compilation! A total of 32 tracks – all of the ‘usual suspects’, of course – are gathered on this disc, which can proudly claim to offer the most comprehensive selection on the market.

With this collection, you can serve almost any Depeche Mode karaoke request. No matter whether it’s a karaoke evening at the bar around the corner or at the next fan convention – if you have this compilation in your collection, you’re 99% prepared. What more can I say? Who would have thought that New Life Generation would also set standards in karaoke!

Listen to “Karaoke Mode Live – Depeche Mode Instrumentals Cover Edition” on Spotify

Conclusion: The music should be the focus

Depeche Mode is a band that has inspired generations of artists and fans – and in all kinds of creative ways. Karaoke versions are one part of this, no question. But for me and the site depechemodecover.com, I decided that the focus should be on real interpretations and fresh ideas rather than on countless karaoke releases. Ultimately, it’s about the music and the passion behind it.

Picture of Thomas Frenken

Thomas Frenken

I am the founder and main author of the international synth pop magazine Electrozombies. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.

I took over the depechemodecovers.com website in 2024 and relaunched it. As a big fan of Depeche Mode and cover versions, I dedicate myself passionately to this project.
Picture of Thomas Frenken

Thomas Frenken

I am the founder and main author of the international synth pop magazine Electrozombies. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.

I took over the depechemodecovers.com website in 2024 and relaunched it. As a big fan of Depeche Mode and cover versions, I dedicate myself passionately to this project.