“Everything Sounds” – Depeche Mode meets LEGO robots: A very special cover

Depeche Mode with a difference: ‘Everything Sounds’ by Toa Mata Band

For fans of Depeche Mode, there is a fascinating and creative cover of “Everything Counts” – this time interpreted by one of the most extraordinary bands in the world: the Toa Mata Band. What makes this so special? This band consists of LEGO robots controlled by Arduino Uno. Find out more about this unique homage to the cult hit of the synth pop legends here.

The actual cover version of ‘Everything Counts’ does not begin until 1:30 min. Before that, we see some scenes of the setup being set up.

LEGO robots as musicians – The Toa Mata Band

The Toa Mata Band has made a name for itself by being the world’s first LEGO robot band. Controlled by Arduino Uno and connected to a MIDI sequencer, these little machines create an impressive musical performance. The robots play percussion instruments made from everyday food packaging, which are recorded using contact microphones (piezo) and processed live in Ableton Live.

A personal tribute to Depeche Mode

For the artist behind the Toa Mata Band, this cover is more than just an experimental version of ‘Everything Counts’. It is a personal tribute to the band that shaped his youth in the 80s. Every note, every detail of this performance is a declaration of love to the synth pop pioneers of Depeche Mode. This is how “Everything Counts” is transformed into “Everything Sounds” and given a completely new timbre through this interpretation.

Unfortunately not available on Spotify or Bandcamp

As creative and extraordinary as this cover is, there is unfortunately a small downside: the full version of “Everything Sounds” is not available on Spotify or Bandcamp. A shame, because this original interpretation would perfectly complement any Depeche Mode fan’s playlist!

Picture of Thomas Frenken

Thomas Frenken

I am the founder and main author of the international synth pop magazine Electrozombies. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.

I took over the depechemodecovers.com website in 2024 and relaunched it. As a big fan of Depeche Mode and cover versions, I dedicate myself passionately to this project.
Picture of Thomas Frenken

Thomas Frenken

I am the founder and main author of the international synth pop magazine Electrozombies. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.

I took over the depechemodecovers.com website in 2024 and relaunched it. As a big fan of Depeche Mode and cover versions, I dedicate myself passionately to this project.